Scottish Journal of Performance

Volume 7 – Issue 1

• ISSN: 2054-1953 (Print) / ISSN: 2054-1961 (Online)
• Publication date: June 2022
• Download complete issue  (PDF)
• Co-editors: ANIKA MARSCHALL & IAIN HARVIE

1.	Editorial Anika Marschall & Iain Harvie
2.	We are the Sun: Multilingual collaborative songwriting as a hospitable, embodied and political process Lucy Cathcart Frödén
3.	The Trial Against Ourselves, pre-enactment and utopia: imagining alternatives to contemporary global capitalism Julian Blaue
4.	How located can we be? About situated curatorial practices in Mediterranean Europe Viviana Checchia
5.	Book Review: Dramaturgy of Migration: Staging multilingual encounters in contemporary theatre, edited by Yana Meerzon and Katharina Pewny Helene Grøn
6.	Book review: Shakespeare in the Global South: Stories of Oceans Crossed in Contemporary Adaptation, by Sandra Young Molly Ziegler
7.	Book reviews: Migration in Performance: Crossing the Colonial Present, by Geraldine Pratt and Caleb Johnston. Interculturalism and Performance Now. New Directions?, edited by Charlotte McIvor and Jason King. Anika Marschall
8.	Seminar report: Not fewer resources, but different: Creative responses to practice and research during Covid-19 Victoria Bianchi, Bianca Mastrominico & Anthony Schrag

Volume 6 – Issue 1

• ISSN: 2054-1953 (Print) / ISSN: 2054-1961 (Online)
• Publication date: July 2019
• Download complete issue  (PDF)
• Co-editors: ANIKA MARSCHALL & IAIN HARVIE

1.	Editorial Anika Marschall & Iain Harvie
2.	Weaving patterns in performance: dramaturgy and the art of performance interpreting Catherine King
3.	The practice of solidarity through the arts: inter-relations and shared moments of creation in Share My Table Catrin Evans
4.	Practitioner report: ‘Where are you from? A woman’s body’: Navigating notions of belonging through poetry and playwriting with refugees and asylum seekers Helene Grøn
5.	Performance review: -ish, by Aby Watson Lucy Hollingworth
6.	Performance review: -ish, by Aby Watson Timothy Cooper
7.	Performance review: Tide Times, by Timothy Cooper & Laura Bissell Gregor Forbes
8.	Performance review: Creating Intimacy, by Shona Mackay James Slimings
9.	Book review: Twenty theatres to see before you die: a love letter to Britain’s theatres, by Amber Massie-Blomfield Ben Fletcher-Watson

Volume 5 – Issue 2

• ISSN: 2054-1953 (Print) / ISSN: 2054-1961 (Online)
• Publication date: September 2018
• Download complete issue  (PDF)
• Co-editor: BENJAMIN REDMAN

1.	Editorial Benjamin Redman
2.	Deaf people and the theatrical public sphere Michael Richardson & David Thompson
3.	Practitioner report: Composing interaction: performativity in Mechanical Timothy Cooper
4.	Practitioner report: I Gladly Strained My Eyes to Follow You: a guided tour of Pollok House Shauna McMullan
5.	Interview: Trio HLK Benjamin Redman
6.	Book review: Reasons to be Graeae: a work in progress, edited by Jenny Sealey Ben Fletcher-Watson
7.	Book review: Gender, subjectivity, and cultural work: the classical music profession, by Christina Scharff Lucy Hollingworth
8.	Book review: Musicians in the making: pathways to creative performance, edited by John Rink, Helena Gaunt, Aaron Williamon Benjamin Redman

Volume 5 – Issue 1
Art of Care

• ISSN: 2054-1953 (Print) / ISSN: 2054-1961 (Online)
• Publication date: April 2018
• Download complete issue  (PDF)
• Co-editor: BENJAMIN REDMAN
• Special Issue Editors: LAURA BISSELL, MONA BOZDOG, LAURA GONZÁLEZ & ABY WATSON

1.	Editorial Laura Bissell, Mona Bozdog, Laura González & Aby Watson
2.	Dedication: It’s all allowed: inspired by Adrian Laura Bissell
3.	Dear self Rosana Cade
4.	Between care and self-care: dramaturgies of mindfulness in the work of the vacuum cleaner Stephen Greer
5.	Negotiating care: an exploration of non-place within a deafblind performance project Will Stringer
6.	Listen to the others: the rehearsal process as a constant act of care Inês Bento-Coelho
7.	Long Table The Art of Care-full Practice Symposium
8.	Discussion etiquette: (inspired by Lois Weaver’s Long Table) The Art of Care-full Practice Symposium
9.	Care Café: a chronology and a protocol Lois Weaver with Hannah Maxwell
10.	Lunch The Art of Care-full Practice Symposium
11.	Salad lunch and gift instructions The Art of Care-full Practice Symposium
12.	A reciprocity of care: a dialogical reflection on the artwork Winter. John Mark Hammersley, Rachel Davies & Daniel Saul
13.	Inside the hos(t)pital Ben Harrison
14.	Care and reciprocity: a conversation between Rhiannon Armstrong and Mel Evans Rhiannon Armstrong & Mel Evans
15.	You do not have to walk on your knees Peter McMaster
16.	What I wish I had said Steven Fraser
17.	Afterword: Acts of care Laura Bissell, Laura González, Dee Heddon & Simon Murray

Volume 4 – Issue 1

• ISSN: 2054-1953 (Print) / ISSN: 2054-1961 (Online)
• Publication date: September 2017
• Download complete issue  (PDF)
• Co-editors: KIRSTY KAY & BENJAMIN REDMAN

1.	Editorial Kirsty Kay & Benjamin Redman
2.	Practitioner report: Play between worlds: Inchcolm Project Mona Bozdog & Dayna Galloway
3.	Practitioner report: The burning circle: (pre)history, performance and public engagement Cara Berger & Brianna E. Robertson-Kirkland
4.	Devolutionary sites: NVA, Grid Iron and Scottish site-specificity in the 1990s András Beck
5.	Identifying canons in competitive light music for the Great Highland Bagpipe, 1947-2015 Andrew Bova
6.	Book review: Semiotics and pragmatics of stage improvisation by Domenico Pietropaolo Flavia D'Avila
7.	Book review: British theatre companies: from fringe to mainstream edited by Graham Saunders and John Bull Ben Fletcher-Watson
8.	Book review: The kaleidoscope of women’s sounds in music of the late 20th and early 21st centuries, by Kheng K. Koay Lucy Hollingworth
9.	Book review: It’s all allowed: the performances of Adrian Howells, edited by Deirdre Heddon and Dominic Johnson Shona Mackay

Volume 3 – Issue 1

• ISSN: 2054-1953 (Print) / ISSN: 2054-1961 (Online)
• Publication date: June 2016
• Download complete issue  (PDF)
• Co-editors: Kirsty Kay & Bede Williams

1.	Editorial Kirsty Kay & Bede Williams
2.	Towards a queer theatre for very young audiences in Scotland and the United States Lindsay Amer
3.	Re-constructing heritage: the National Theatre of Scotland’s Calum’s Road Niccole Carner
4.	Practitioner report: Calton Hill Constellations Siriol Joyner & Phil Smith
5.	Practitioner report: SHINE Bede Williams, Anne-Marie Weijmans, Eddie McGuire & Tim Fitzpatrick
6.	Interview: Tony Reekie Ben Fletcher-Watson
7.	Symposium abstracts: Thresholds and permeability in performance Ben Fletcher-Watson & Adelina Ong; ADAM RUSH; ROSIE FIELDING; KELLI ZEZULKA; KATHERINE GRAHAM; JONATHAN VENN; SILVIA DUMITRIU; YARON SHYLDKROT; ACATIA FINBOW; JENNIFER WILLETT; SARAH SLATOR; BRIDIE MOORE, LAURA MURPHY & MOE SHOJI; LAURA MILBURN; EVE SMITH; KIRSTY SURGEY
8.	Book review: Studying musical theatre: theory and practice, by Millie Taylor & Dominic Symonds Lucy Coatman
9.	Book review: The actor training reader, by Mark Evans Ali de Souza
10.	Book review: Conducting for a new era, by Edwin Roxburgh Michael Downes
11.	Book review: Theatre for youth third space: performance, democracy, and community cultural development, by Stephani Etheridge Woodson Ben Fletcher-Watson
12.	Book review: Moving sites: investigating site-specific dance performance, edited by Victoria Hunter Bethany Whiteside
13.	CD review: Dichroic light, by Matthew Whiteside Drew Hammond
14.	Performance review: Hinterland, by NVA Cara Berger

Volume 2 – Issue 2

• ISSN: 2054-1953 (Print) / ISSN: 2054-1961 (Online)
• Publication date: June 2015
• Download complete issue  (PDF)
• Co-editors: Ben Fletcher‑Watson & Kirsty Kay

1.	Editorial Ben Fletcher-Watson & Kirsty Kay
2.	‘I’m not really a clown’: critical reflection on a Clown Cabaret Scratch Night Lucy Amsden
3.	Practitioner report: Running walls: the performance of the limit in prison Paolo Maccagno
4.	Relaxed performance: audiences with autism in mainstream theatre Ben Fletcher-Watson
5.	Book review: El Sistema: orchestrating Venezuela’s youth, by Geoffrey Baker Kathryn Jourdan
6.	Book review: Modernist and avant‑garde performance: an introduction, by Claire Warden Sam Haddow
7.	Book review: Contemporary Scottish plays, edited by Trish Reid Ben Fletcher-Watson
8.	Book review: Acting Shakespeare’s language, by Andy Hinds Marc Silberschatz
9.	Book review: Dramaturging personal narratives: who am I and where is here?, by Judith Rudakoff Shona Mackay
10.	Book review: Sleeping in temples, by Susan Tomes Bede Williams
11.	Book review: Charles Mackerras, edited by Nigel Simeone and John Tyrrell David Watkin

Volume 2 – Issue 1

• ISSN: 2054-1953 (Print) / ISSN: 2054-1961 (Online)
• Publication date: December 2014
• Download complete issue  (PDF)
• Co-editors: Ben Fletcher‑Watson & Kirsty Kay

1.	Editorial Ben Fletcher-Watson & Kirsty Kay
2.	Dislocation and relocation: clarsach and live electronics Alistair MacDonald
3.	Keynote address: Rhythmic routes: developing a nomadic physical practice for the daily commute Laura Bissell & David Overend
4.	The trombone as portrayed in Portuguese iconography during the sixteenth and early seventeenth centuries Rui Pedro De Oliveira Alves
5.	Symposium abstracts: Pace, penalty and pirouette: the sociology of physical culture Victoria Palmer & Bethany Whiteside; Emmanuelle Tulle; Ursula M. Burger, Elaine Thomson & Eleni Theodoraki; James Bowness; Conor Heffernan; Laura Bissell & David Overend; Vanessa Coffey; Lito Tsitsou; Kirsty Kay; Sue Smith; Lucy Amsden; Hande Güzel; Andria Christofidou; Josephine Leask
6.	Book review: Singing Simpkin and other bawdy jigs: musical comedy on the Shakespearean stage —scripts, music and context, by Roger Clegg and Lucy Skeaping Neil Rhodes
7.	Book review: The theatrical public sphere, by Christopher B. Balme Anselm Heinrich
8.	Book review: All work and no plays: blueprints for 9 theatre performances by Ontroerend Goed, by Ontroerend Goed Gareth K. Vile
9.	Book review: Embodied knowledge in ensemble performance, by J. Murphy McCaleb Mieko Kanno
10.	Book review: Music and the making of modern science, by Peter Pesic J. Harry Whalley
11.	Book review: Rancière and film, edited by Paul Bowman Sam Beaton
12.	Book Review: The actor and the camera, by Denis Lawson Mark Stevenson
13.	Book review: The reflexive teaching artist: collected wisdom from the drama/theatre field, edited by Kathryn Dawson and Daniel A. Kelin, II Laura Bissell

Volume 1 – Issue 2

• ISSN: 2054-1953 (Print) / ISSN: 2054-1961 (Online)
• Publication date: June 2014
• Download complete issue  (PDF)
• Co-editors: Bethany Whiteside & Ben Fletcher‑Watson

1.	Editorial Bethany Whiteside & Ben Fletcher-Watson
2.	Home : the celebratory opening of the Kelpies at Helix Park, Falkirk Claire Warden
3.	Audience manipulation? Subverting the fourth wall in Pina Bausch’s Kontakthof (1978) and Nelken (1982) Lucy Weir
4.	From stage to screen: adapting a children's theatre production into a digital toy Ben Fletcher-Watson
5.	Dance, class and the body: a Bourdieusian examination of training trajectories into ballet and contemporary dance Lito Tsitsou
6.	Intersections between the academic and ‘real’ worlds of dance at the British Dance Edition 2014: a report Bethany Whiteside
7.	Book review: Men’s cinema: masculinity and mise-en-scène in Hollywood, by Stella Bruzzi Elisabetta Girelli
8.	Book review: Embodied politics: dance, protest and identities, by Stacey Prickett Andria Christofidou
9.	Book review: Singing: personal and performance values in training, by Peter Harrison Ralph Strehle
10.	Book review: Walking and dancing: three years of dance in London 1951–1953, by Larraine Nicholas Bethany Whiteside
11.	Book review: Reverberations across small-scale British theatre: politics, aesthetics and forms, edited by Patrick Duggan and Victor Ukaegbu Ben Fletcher-Watson

Volume 1 – Issue 1

• ISSN: 2054-1953 (Print) / ISSN: 2054-1961 (Online)
• Publication date: December 2013
• Download complete issue  (PDF)
• Co-editors: Bethany Whiteside & Ben Fletcher‑Watson

1.	Editorial Bethany Whiteside & Ben Fletcher-Watson
2.	Representational tactics: approaching two Scottish performances of mental illness through the work of Michel de Certeau Christopher Dingwall-Jones
3.	World Wide Wandering: e-drifting in Paris and London David Overend
4.	Re-reading Mary Wigman’s Hexentanz II (1926): the influence of the non-Western ‘Other’ on movement practice in early modern ‘German’ dance Lito Tsitsou & Lucy Weir
5.	Developing professional equality: an analysis of a social movement in the Scottish dance industry Holly Patrick & Caroline Bowditch
6.	Symposium abstracts: The making of performance: stories of performing physicalities Andria Christofidou & Lito Tsitsou, Anna Birch, Simon Murray, Bethany Whiteside, Lito Tsitsou & Lucy Weir, Ramsay Burt, Romany Dear & Dominic Paterson
7.	Book review: Our ancient national airs: Scottish song collecting from the Enlightenment to the Romantic era, by Karen McAulay Elaine Moohan
8.	Book review: Hamish MacCunn (1868-1916): a musical life, by Jennifer L. Oates Joshua Dickson
9.	Book review: Theatre and performance in small nations, edited by Steve Blandford Anna Birch
10.	Book review: Practice as research in the arts: principles, protocols, pedagogies, resistances, by Robin Nelson Marc Silberschatz